CMRS Center for Early Global Studies

“Patterns of Anomaly in African Ivories” Abstract:  This lecture takes up questions in African Medieval to Early Modern ivory imagery and sources framed in part around a set of seemingly anomalous motifs that address how power and ivory have mutually shaped each other both in Africa (particularly Nigeria) and in European contexts. Among the works taken up are images of elephants in Nigerian Nok and Ife art, the prominence of sirens on Benin and Owo Yoruba ivories, the cultural primacy of ivory spoons, the “missing” Durer saltcellar (now possibly found?), and the legacies of colonial era impact of pianos and ivory...

Guest Speaker: Hannah Barker (Arizona State University) In 1455, the Venetian patrician Giosafat Barbaro encountered an old friend in surprising circumstances. As a young merchant in the Black Sea port of Tana, Barbaro had met and befriended a local Tatar notable named Chebechzi. At the end of his time in Tana, Barbaro returned home expecting never to see Chebechzi again. He certainly did not expect to find him enslaved in a Venetian wine shop ten years later. At the moment, Barbaro acted immediately to assert Chebechzi’s freedom and help him return home. Later in life, Barbaro also wrote a memoir...