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Hip-Hop America: The Mixtape Exhibit, co-curated by Adam Bradley

The GRAMMY Museum 800 W. Olympic Blvd., Los Angeles

The GRAMMY Museum celebrates the 50th anniversary of hip-hop with Hip-Hop America: The Mixtape Exhibit, an exhibit co-curated by a team that includes Adam Bradley, professor of English and founding director of the Laboratory for Race and Popular Culture (the RAP Lab) at UCLA. The 5,000-square foot exhibit delves deep into the multifaceted world of hip-hop through expansive exhibits on hip-hop music, dance, graffiti, fashion, business, activism, and history, providing visitors with an immersive experience that explores the profound impact and influence of hip-hop culture. On display will be an incredible array of artifacts including the Notorious B.I.G.’s iconic red leather pea...

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Byzantine Crime Novels in the Twenty-First Century: From History to Fiction by Panagiotis Agapitos, University of Mainz

Royce Hall, 314 UCLA

Byzantine Crime Novels in the Twenty-First Century: From History to Fiction A lecture by Panagiotis Agapitos Gutenberg Distinguished Research Fellow, Byzantine Literature University of Mainz Saturday, November 16, 2024 4:00 p.m. 314 Royce Hall, UCLA Campus Reception to follow RSVP link: https://forms.gle/AMserxQLbWa2exNS9 Event is free but RSVPs are requested. If you are unable to attend but would like to watch the lecture via livestream on our YouTube channel, the link is provided below: Livestream link: https://youtube.com/live/bNnV8v_vlcE?feature=share Conversation following the lecture with Professor Michael Cooperson, Associate Director, UCLA Stavros Niarchos Foundation Center for the Study of Hellenic Culture. This lecture tackles...

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Lecture by Panagiotis Agapitos, “Byzantine Crime Novels in the Twenty-first Century: From History to Fiction”

Royce 314 10745 Dickson Ct, Los Angeles

This lecture tackles the question of “authenticity” when writing crime novels set in the remote past. Agapitos’ three novels (published between 2003 and 2009 in Greece), which are set in the first half of ninth-century Byzantium during the rule of the last iconoclast emperor, Theophilos (r. 829–842), form the basis of a lively discussion about the challenges of producing a satisfactory narrative. The fairly clear generic conventions of a traditional British-style mystery are not applicable to a medieval culture such as Byzantium, starting with the basic issue of the absence of detection and the relevant detective. Contemporary fans of crime...