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DTSTART;TZID=America/Los_Angeles:20251115T140000
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DTSTAMP:20250926T202136Z
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UID:2193086-1763215200-1763222400@humanities.ucla.edu
SUMMARY:Between the Minoans and the Mycenaeans: Craft Technologies in the Second Millennium BCE Aegean
DESCRIPTION:Between the Minoans and the Mycenaeans: Craft Technologies in the Second Millennium BCE Aegean \nLecture by Nikolas Papadimitriou (Director\, Paul and Alexandra Canellopoulos Museum\, Athens) and Eleni Konstantinidi-Syvridi (Curator\, Department of Prehistoric\, Egyptian\, Cypriot and Near Eastern Collections of Antiquities\, at the Hellenic National Archaeological Museum\, Athens) \nDemonstration by Akis Goumas (contemporary jewelry maker and researcher of ancient crafting technologies) \nHosted by the\nUCLA SNF Center for the Study of Hellenic Culture \nin collaboration with\nThe J. Paul Getty Museum\nand held in conjunction with the exhibition\nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece \nSaturday\, November 15\, 2025\n2:00 P.M.\n314 Royce Hall\, UCLA Campus \nRSVP Here \nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece exhibition at the Getty Villa brings together some of the most exquisite artistic creations of the second millennium BCE Aegean. Many of these objects were the products of cultural fusion and combined elements from different artistic traditions originating in Minoan Crete\, Mycenaean Greece\, and areas far beyond. This presentation will examine the highly demanding techniques goldsmiths and seal-engravers used to create many of the objects in this exhibition. Following the lecture\, Akis Goumas will demonstrate the main steps of the technical processes involved in Mycenaean gold-working (sheet metal\, wire\, granulation\, etc.) and Minoan seal-engraving (soft materials and hard stones). \n \nDemonstration by Akis Goumas \nThe artist and researcher of ancient technologies Akis Goumas will demonstrate the main steps of the technical processes involved in: \n– Mycenaean gold-working (sheet metal\, wire\, granulation etc.)\n– Minoan seal-engraving (soft materials and hard stones). \nThe demonstration is based on the results of studies conducted in the National Archaeological Museum of Athens\, the Herakleion Archaeological Museum\, other museums in Greece\, and the Coprus of Minoan and Mycenaean Seals at Heidelberg\, Germany\, which involved microscopic examination of artefacts\, archaeometric analyses and experimental reconstructions. \nThe studies have been conducted in collaboration with Dr Eleni Konstantinidi-Syvridi\, of the National Archaeological Museum of Athens\, and Dr Nikolas Papadimitirou\, of the Paul and Alexandra Canellopoulos Museum\, Athens. Participants will have the opportunity to discuss with Mr Goumas and try some of the tools and materials used in the experiments. \nBios:\nNikolas Papadimitriou is the Director of the Paul and Alexandra Canellopoulos Museum\, Athens\, Greece (www.camu.gr). He specializes in the Aegean Bronze Age\, with an emphasis on Mycenaean burial practices\, cultural interaction in the Mediterranean in the 2nd millennium BCE\, the prehistory of Athens and Attica\, and the study of craft technologies. Previously\, he worked as a Lecturer at the Institute of Classical Archaeology\, Heidelberg University\, Germany\, the Museum of Cycladic Art\, Athens and the Cyprus Department of Antiquities. Currently\, he is co-directing research projects at the archaeological sites of Marathon\, Thorikos (Attica) and Kato Samikon (Elis). He has a rich publication record and has received research fellowships from the Centers of Hellenic Studies at Princeton and Harvard (2011\, 2017). \nEleni Konstantinidi-Syvridi is Curator at the Department of Prehistoric\, Egyptian\, Cypriot and Near Eastern Collections of Antiquities at the National Archaeological Museum\, Athens (https://www.namuseum.gr/en/). She graduated from the University of Ioannina\, Greece\, and received her PhD at the University of Birmingham\, UK. Her research focuses on the Late Bronze Age Aegean and the Eastern Mediterranean\, with special interest in Mycenaean jewelry and dress. She has given seminars and lectures on the history and technology of Mycenaean jewelry in Greece and abroad and has written articles and book chapters on various Late Bronze Age issues. For the past decade\, she has been co-directing a multi-disciplinary project for the reconstruction of ancient gold-working techniques\, while she is currently studying the corpus of metal signet rings housed in the Mycenaean Collection of the National Archaeological Museum. \nAkis Goumas is a contemporary jewelry maker and researcher of ancient crafting technologies. After receiving a Diploma in Economics (1978)\, he was trained as a jeweler and silversmith. From 1982 to 1986 he studied gemology and seal engraving in Greece and Germany. Between 1990 and 2006 he was the head designer in the jewelry company ONAR. Since 2000\, he has been teaching creative jewelry at the Chalkis School of Art\, and since 2017 at the ANAMMA Jewelry School in Athens\, and the ALCHIMIA Contemporary Jewelry School in Florence. Since 2006\, he is member of an interdisciplinary group of researchers\, who study ancient gold-working and seal-engraving techniques. In 2021 he was a Visiting Artist at the Harvard Center for Hellenic Studies. Ιn 2023-24\, he was the holder of a Homo Faber fellowship\, established by Jaeger LeCoultre and Michelangelo Foundation for Creativity and Craftsmanship. In 2024-25 he participated in the organization of the exhibition “Art in Gold. Jewelry in Hellenistic Times” at the Benaki Museum\, Athens\, Greece. \nThis event is organized by Professor David Schneller (UCLA) and Dr. Claire Lyons (Getty) and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nCo-Sponsored by: \nUCLA College\, Division of Humanities\nThe Peter J. and Caroline B. Caloyeras Endowment for the Arts\nThe George P. Kolovos Family Centennial Term Chair in Hellenic Studies\nGefyra\nUCLA Global Antiquity\nThe Joan Palevsky Chair of Classics at UCLA\nUCLA Department of Art History\nUCLA Department of Classics\nUCLA Department of Near Eastern Languages & Cultures\nUCLA David C. Copley Center for the Study of Costume Design \nDon’t miss our other upcoming programs in collaboration with the J. Paul Getty Museum here: \nSaturday\, November 22\, 2025Pylos and Minoan Crete \nSaturday\, December 6\, 2025\nMessenia to Mesopotamia: New Directions in the Art and Archaeology of the Second Millennium BCE Symposium
URL:https://humanities.ucla.edu/event/between-the-minoans-and-the-mycenaeans-craft-technologies-in-the-second-millennium-bce-aegean/
LOCATION:Royce Hall\, 314\, 314 Royce Hall\, 10745 Dickson Plaza\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Cultural Heritage,Gefyra,Hellenic,Heritage,History,Humanities,Lecture,Reception
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251110T153000
DTEND;TZID=America/Los_Angeles:20251110T164500
DTSTAMP:20251024T213703Z
CREATED:20251022T220244Z
LAST-MODIFIED:20251024T213703Z
UID:2193441-1762788600-1762793100@humanities.ucla.edu
SUMMARY:We Were Here: The Untold History of Black Africans in Renaissance Europe
DESCRIPTION:We Were Here: The Untold History of Black Africans in Renaissance Europe sheds light on the overlooked presence of African and Black individuals in Renaissance Europe\, highlighting their depiction in masterpieces by some of the era’s most celebrated artists. \nDirected by award-winning filmmaker Fred Kudjo Kuwornu and produced by Do The Right Films\, this multilingual documentary takes viewers on an expansive journey through the UK\, Italy\, Spain\, Portugal\, the Netherlands\, and France\, offering a compelling reexamination of European art history and its cultural legacy. Featuring insights from leading scholars in Art History\, Black Studies\, and History\, alongside Black activists and curators\, the film provides a rich\, layered perspective on a neglected chapter of European history. \nTo learn more\, please view the trailer here. \n\nThe screening is free to attend with advance registration. \nIt will be held in-person at UCLA Dodd Hall\, Room 147. \nSeating is limited; walk-in registrants are welcome as space permits.
URL:https://humanities.ucla.edu/event/we-were-here/
LOCATION:147 Dodd Hall\, 390 Portola Plaza\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Center for 17th & 18th Century Studies,Humanities,William Andrews Clark Memorial Library
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251017
DTEND;VALUE=DATE:20251019
DTSTAMP:20250808T172944Z
CREATED:20250729T173618Z
LAST-MODIFIED:20250808T172944Z
UID:2192263-1760659200-1760831999@humanities.ucla.edu
SUMMARY:Post-Classical Libraries Conference
DESCRIPTION:Libraries occupied a central place in the organization and reproduction of pre-modern knowledge cultures.  \nTexts had been assembled in archives of various kinds from the Bronze Age\, but most were of only ephemeral interest. Only when writing was deployed to create works intended to have lasting value – as literature\, as contributions to science\, or as records of historical investigations or sacred revelations – did it become necessary to actively curate them. In a world before printing\, the risk that any given book – on papyrus or parchment\, clay tablets or wooden ones\, on rolls or in codices –would simply perish was a real one. Libraries became places where textual communities studied\, catalogued\, repaired\, and recopied works of this kind. Recent studies have investigated the libraries of the Bronze Age Near East and of the Classical Mediterranean. These were royal or civic\, private or public\, based in temples\, villas\, or educational establishments. A few\, like the Library of Alexandria\, have been mythologized. \nMost of these studies end in the third century CE\, yet libraries also played a crucial role in the passages from antiquity to the Middle Ages. This will be the subject of our conference.  \nSpeaker Abstracts and Titles \n\n\n\nDay 1\n\n\n\n\n10:15\nCoffee\, fresh fruit\, pastries (Royce\, 314)\n\n\n10:30\nWelcome Remarks\n\n\n11:00\nThe “Library of Caesarea” between Gaza and Berytus – Jeremiah Coogan (Jesuit School of Theology of Santa Clara University)\n\n\n11:50\nBreak\n\n\n12:00\nThe Library on the Page: Booklists from Antiquity to the Latin West – Thomas Hendrickson (Stanford)\n\n\n1:00\nLunch\n\n\n2:30\n‘The Fortress of Writing was Burned…’: Archives and Institutions of Learning in Sasanian and Post-Sasanian Iran – Yuhan Sohrab-Dinshaw Vevaina (University of Oxford)\n\n\n3:20\nBreak\n\n\n3:30\nNew Approaches to the Early Arabic Library – Michael Cooperson (NELC\, UCLA)\n\n\n4:30\nReception\n\n\n6:00\nDinner (Plateia – participants only)\n\n\nDay 2\n\n\n10:00\nCoffee\, fresh fruit\, pastries\n\n\n10:30\nIrish Libraries in the Early Middle Ages: Home and Abroad – Viktoriia Krivoshchekova (School of Celtic Studies\, Dublin Institute for Advanced Studies)\n\n\n11:20\nStrategies of Preservation at Monastic Libraries and Archives in Medieval Italy – Maya Maskarinec (USC)\n\n\n12:10\nBreak\n\n\n12:20\nBooks and libraries in Byzantium (8th–10th centuries) – Daniele Bianconi (University of Rome\, La Sapienza)\n\n\n1:15\nLunch\n\n\n3:00\nClosing Round Table\n\n\n\nOrganizers: Stefania Tutino and Greg Woolf
URL:https://humanities.ucla.edu/event/post-classical-libraries/
LOCATION:Royce 306 & 314
CATEGORIES:Conference,Humanities
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251003
DTEND;VALUE=DATE:20251005
DTSTAMP:20250808T172943Z
CREATED:20250729T173616Z
LAST-MODIFIED:20250808T172943Z
UID:2192261-1759449600-1759622399@humanities.ucla.edu
SUMMARY:On Land and Across the Sea: Boccaccio’s Other Wor(l)ds. Junctions and Interweavings Conference
DESCRIPTION:To mark 650 years since Boccaccio’s death\, a conference on Boccaccio’s Other Wor(l)ds invites exploration of Boccaccio’s “Other Words” and “Other Worlds.” Boccaccio’s narratives—not limited to the Decameron—vividly depict cultural and intellectual exchanges\, emphasizing human behavior\, morality\, and societal complexities across the Mediterranean and beyond\, including Cathay. In the Decameron\, the Levant serves as a crucial geographical and cultural reference\, highlighting its role as a crossroads of commerce\, religion\, and cultural interaction. For instance\, Nathan’s house in Decameron X.3 is described as being situated at the crossroads “from the West eastward\, or from the East westward.” Similarly\, in Genealogy of the Pagan Gods\, Boccaccio extols the invention of the boat and maritime navigation\, celebrating their benefits for humanity. He reflects on the immense advantages of trade and cultural exchanges and how they foster trust and friendships. Boccaccio notes that such interactions enable mutual teaching and learning of languages\, bridging geographical distances and overcoming estrangement. \nInspired by Boccaccio’s fascination with other worlds and words\, the Conference encourages geocritical approaches to Boccaccio’s works and explores this “hybrid point of connectivity” across society\, politics\, gender\, religion\, and economics. It aims to further investigate labor conditions and slavery in the medieval Mediterranean\, with particular attention to the art and commerce of textiles and textual weaves. The focus extends from the silent labor of women weaving baskets across the Mediterranean basin to female textile workers in Florence\, highlighting references to women’s labor both within and beyond the sea.
URL:https://humanities.ucla.edu/event/on-land-and-across-the-sea-boccaccios-other-worlds-junctions-and-interweavings-conference/
LOCATION:Royce 314\, 10745 Dickson Ct\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Conference,Humanities
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250503T093000
DTEND;TZID=America/Los_Angeles:20250503T160000
DTSTAMP:20250227T181030Z
CREATED:20250202T103308Z
LAST-MODIFIED:20250227T181030Z
UID:2190396-1746264600-1746288000@humanities.ucla.edu
SUMMARY:California Medieval Seminar (Spring 2025)
DESCRIPTION:Participation in the Seminar consists of group discussion of pre-circulated papers\, typically drafts of articles\, book chapters\, or dissertation chapters (with complete apparatus). Two of the papers are ordinarily by emerging scholars (including PhD students) and the other two are by established scholars. We allocate one hour per paper and presenters should anticipate substantial\, and substantive\, feedback. Calls for presenters are circulated via e-mail from the Center approximately two months prior to each meeting and papers are accepted on a first-come basis. \nMore information can be found here. \nRegister to attend in Royce 306 \nRegister to attend via Zoom
URL:https://humanities.ucla.edu/event/california-medieval-seminar-spring-2025/
LOCATION:Royce 306
CATEGORIES:California Medieval History Seminar,Humanities
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250426T090000
DTEND;TZID=America/Los_Angeles:20250426T173000
DTSTAMP:20250227T181029Z
CREATED:20250214T154820Z
LAST-MODIFIED:20250227T181029Z
UID:2190747-1745658000-1745688600@humanities.ucla.edu
SUMMARY:“Hybridity”: In-Between People\, Texts & Objects Across the Early Global World – MEMSA Graduate Student Conference
DESCRIPTION:The 5th Annual Conference of the UCLA Medieval and Early Modern Student Association seeks to highlight the innovative work of graduate students on the manifold ways people\, texts\, and objects “in-between” shaped the early global world\, from the early medieval to the late early modern periods. Presentations will engage with the concept of the so-called “hybrid\,” asking: what does it mean to label something as in-between\, mixed\, syncretic\, blended\, amalgamated\, or composite? To what end might something be constituted as “hybrid”? Does “hybridity” as a term still carry meaning when encompassing so much? Does the contact and exchange of people\, things\, and ideas inevitably result in “hybridity”? The event seeks to problematize the term and its synonyms\, thinking about “hybridity” as a threshold of negotiation\, contestation\, in(ter)vention\, interpretation\, translation\, and debate. \nRegister to attend in Royce 306 \nOrganized by the Officers of MEMSA: Chase Caldwell Smith\, Sofía Yazpik\, Miranda Heaner\, and Stanley Wu \nSponsored by the UCLA CMRS Center for Early Global Studies
URL:https://humanities.ucla.edu/event/hybridity-in-between-people-texts-objects-across-the-early-global-world-memsa-graduate-student-conference/
LOCATION:Royce 306
CATEGORIES:Humanities,MEMSA
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250424T170000
DTEND;TZID=America/Los_Angeles:20250424T190000
DTSTAMP:20250424T002025Z
CREATED:20250424T001127Z
LAST-MODIFIED:20250424T002025Z
UID:2191357-1745514000-1745521200@humanities.ucla.edu
SUMMARY:Naoíse Mac Sweeney | “The Birth of the Ancient Greek World: Migration\, Urbanisation\, and the Emergence of Greekness?”
DESCRIPTION:Annual UCLA Joan Palevsky Lecture Professor \nNaoíse Mac Sweeney\, University of Vienna \n“The Birth of the Ancient Greek World: Migration\, Urbanisation\, and the Emergence of Greekness?” \nLecture summary:  By the start of the classical period\, the Greek world stretched from Spain to Cyprus\, and from Libya to the Crimea\, and was comprised of over 1\,000 autonomous polities. In this lecture\, I will consider how this geographically dispersed and politically fragmented Greek world came into being over the course of the 11th to sixth centuries BCE\, focusing in particular on new data from archaeological surveys designed to uncover processes of urbanisation and migration at varying scales. This new data suggests divergent pathways to Greekness in different parts of the Greek world\, with the adoption of Greek lifestyles and cultural traits happening at radically different times and in response to different local contexts. If\, as this evidence suggests\, the Greek world was forged in a more piecemeal and uneven manner than previously thought\, does this have implications for what we assume the Greek world fundamentally was? \nAbout the speaker: Naoíse Mac Sweeney\, professor of Greek archaeology at the University of Vienna\, is the author of books including “Community Identity and Archaeology” (2011)\, “Foundation Myths and Politics in Ancient Ionia” (2013)\, “Troy: Myth\, City\, Icon” (2018) and\, most recently\, “The West: A New History of an Old Idea” (2023). \nKindly RSVP at collegeevents@support.ucla.edu.
URL:https://humanities.ucla.edu/event/naoise-mac-sweeney-the-birth-of-the-ancient-greek-world-migration-urbanisation-and-the-emergence-of-greekness/
LOCATION:Fowler Museum
CATEGORIES:Humanities,Palevsky Lecture
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250414
DTEND;VALUE=DATE:20250415
DTSTAMP:20250227T181028Z
CREATED:20250114T083302Z
LAST-MODIFIED:20250227T181028Z
UID:2189898-1744588800-1744675199@humanities.ucla.edu
SUMMARY:New Book Salon Book Talk by Roberta Morosini
DESCRIPTION:What does a flying bull with a half moon on its belly in Filippino Lippi’s 1502 painting\, the Adoration of the Golden Calf\, have in common with Muhammad\, as a character of Dante’s Comedy? This is the question that Roberta Morosini tries to answer by following the journey of a legend traveling in the Oriental Mediterranean. She argues that what Lippis’s painting and Dante’s Muhammad have in common is a legend of a celestial delivery of the “bull law\,” the Qur’an and Moses’s Tablets of the Law. Just as Moses received the Tablets of the Law from God on Mount Sinai\, the Qur’an\, written according to Thomas Aquinas by mixing fables and a rippled Bible\, is carried by the bull on its horns. Taking us from Medieval Christian Byzantium to the depictions of Muhammad and Averroës in the iconographic tradition\, to the Rome of Oliviero Carafa in the events following the Fall of Constantinople in 1453 through Dante’s Comedy\, the real protagonists of Dante\, Moses and the Book of Islam\, a story narrated through texts and images\, are the Book and the Mediterranean as spaces of transmission of knowledge. Morosini provides a ground breaking reading of Filippino’s Adoration of the Golden Calf as an ancient scene of anti-Islam propaganda\, while shedding new light on Dante’s construction of the cultural other\, on his spaces of otherness\, and on the importance the poet gives to books that bring unity and give form to what lacks it\, like his book\, the Comedy.
URL:https://humanities.ucla.edu/event/new-book-salon-book-talk-by-roberta-morosini/
LOCATION:Royce 306
CATEGORIES:Co-Sponsorship,Humanities,Seminar
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250407T170000
DTEND;TZID=America/Los_Angeles:20250407T180000
DTSTAMP:20250227T181027Z
CREATED:20250114T083305Z
LAST-MODIFIED:20250227T181027Z
UID:2189900-1744045200-1744048800@humanities.ucla.edu
SUMMARY:Hammer Art History Lecture by Shawon Kinew\, “St. Paul Among the Snakes: A Maltese Artist Goes Home\, c. 1660”
DESCRIPTION:Abstract: At the end of the 1650s\, Melchiorre Cafà\, a Maltese sculptor\, was newly established in Rome. Rome was the most significant site for sculptural production in Europe at that time. It was also a Golden Age of sculpture as artists vied for papal commissions and pushed the limits of their medium. They transformed hard stone into weightless apparitions. But\, in his early days in the Caput Mundi\, Cafà returned home conceptually. He carved in the humble material of wood the patron saint of his island\, St. Paul\, to be sent back to Malta. Today the sculpture is at the center of local devotional practices\, still carried in processions celebrating the Apostle’s shipwreck in Malta. Our time is connected to Paul’s and to Cafà’s in this living tradition. A study of Cafà’s St. Paul is one of Mediterranean cultural continuities\, and a meditation on the ethnographic gaze of the art historian. \nShawon Kinew is an art historian of early modern Southern Europe at Harvard University and specializes in seventeenth-century Rome’s art and theory. Her research on Roman Baroque sculpture focuses on the Maltese artist Melchiorre Cafà\, who is the subject of a book manuscript in preparation\, Baroque Softness: Melchiorre Cafà and the Sculpture of Mysticism. \nRegister to attend in Royce 314 \nMore information about past Hammer Art History Lectures can be found here.
URL:https://humanities.ucla.edu/event/rescheduled-hammer-art-history-lecture-by-shawon-kinew-st-paul-among-the-snakes-a-maltese-artist-goes-home-c-1660/
LOCATION:Royce 314\, 10745 Dickson Ct\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Conference,Hammer Art History Annual Lecture,Humanities
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250401T180000
DTEND;TZID=America/Los_Angeles:20250401T190000
DTSTAMP:20250227T181026Z
CREATED:20250114T083259Z
LAST-MODIFIED:20250227T181026Z
UID:2189896-1743530400-1743534000@humanities.ucla.edu
SUMMARY:William and Lois Matthews Samuel Pepys Lecture by Carla Pestana
DESCRIPTION:Striving for Expertise \nGuest Speaker: Carla Pestana (UCLA) \nScholars often refer to Samuel Pepys as an early example of a state bureaucrat\, his career as a civil servant in the burgeoning Restoration bureaucracy offering documentation of an important shift in governance. Of equal note—and perhaps greater interest—is the way Pepys himself aimed for expertise. Not content to serve as a cog in a larger bureaucratic machine\, Pepys sought to educate himself about the workings of the navy and of sailing ships\, going beyond the demands of his own office to achieve a deeper understanding. In doing so\, he once again revealed his insecurities\, while he also indulged in personal rivalries and resisted the limitations placed on him in his role as a civil servant. \nCarla Gardina Pestana is Distinguished Professor of History and Joyce Appleby Endowed Chair of America in the World. Her research focuses on 17th and 18th century Atlantic worlds\, especially the English Atlantic\, the Caribbean\, and U.S. religious history. Professor Pestana has published books on religion and empire in the seventeenth and eighteenth centuries\, most notably Protestant Empire: Religion and the Making of the British Atlantic World (2009). \nProfessor William Matthews\, a member of UCLA’s English Department faculty and the Center’s second Director (1970-1972)\, was an authority on the life and writings of the seventeenth-century British wit and diarist Samuel Pepys. With the assistance of his wife Lois\, Matthews and his co-editor Robert Latham produced the definitive edition (eleven volumes) of Pepys’s works\, which was published incrementally between 1971 and 1983. The Matthewses’ will\, which endows the Center’s annual lecture and also a festive dinner\, specifies that the event should be scheduled to coincide with Pepys’s own annual celebration commemorating the surgery he endured on March 26\, 1658. \nRegister to attend in Luskin Conference Center\, Laureate Classroom \nMore information about past William and Lois Matthews Samuel Pepys lectures can be found here.
URL:https://humanities.ucla.edu/event/will-and-lois-matthews-samuel-pepys-lecture-by-carla-pestana/
LOCATION:Luskin Conference Center\, 425 Westwood Plaza\, Los Angeles\, 90095\, United States
CATEGORIES:Humanities,Lecture
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250222T093000
DTEND;TZID=America/Los_Angeles:20250222T160000
DTSTAMP:20250222T170328Z
CREATED:20241124T060353Z
LAST-MODIFIED:20250222T170328Z
UID:2188664-1740216600-1740240000@humanities.ucla.edu
SUMMARY:California Medieval Seminar (Winter 2025)
DESCRIPTION:Participation in the Seminar consists of group discussion of pre-circulated papers\, typically drafts of articles\, book chapters\, or dissertation chapters (with complete apparatus). Two of the papers are ordinarily by emerging scholars (including PhD students) and the other two are by established scholars. We allocate one hour per paper and presenters should anticipate substantial\, and substantive\, feedback. Calls for presenters are circulated via e-mail from the Center approximately two months prior to each meeting and papers are accepted on a first-come basis. \nMore information can be found here. \nRegister to attend in Royce 306 \nRegister to attend via Zoom
URL:https://humanities.ucla.edu/event/california-medieval-seminar-winter-2025/
LOCATION:Royce 306
CATEGORIES:California Medieval History Seminar,Humanities
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250214T100000
DTEND;TZID=America/Los_Angeles:20250214T170000
DTSTAMP:20250214T154823Z
CREATED:20241116T054934Z
LAST-MODIFIED:20250214T154823Z
UID:2188490-1739527200-1739552400@humanities.ucla.edu
SUMMARY:“Lost in Transfer? Misunderstanding\, Miscommunication\, and the Production of Knowledge in the Late Medieval and Early Modern Mediterranean”
DESCRIPTION:Organizers: Stefania Tutino (UCLA)\, Andrea Aldo Robiglio (KU Leuven)\, and Eva Del Soldato (UPenn) \nThe question of how knowledge transfers has become central for understanding the culture of the premodern world in a global perspective. This workshop is interested in exploring the question of what happens when transfer fails: what happens when knowledge is not “translated” properly? What kind of knowledge is produced when the chain of transmission breaks down or malfunctions? We think that miscommunication is as important as communication\, and we propose to explore this theme both by examining specific case studies of miscommunication and by investigating what they tell us about the structure and modes by which knowledge is produced\, which in turn allows us to get to the question of the very category of “transfer” from a philosophical and theoretical perspective. \nRegister to attend in Royce 314 \nPresenter Abstracts \nConference Schedule: \n\n\n\n9:30\nCoffee\, fresh fruit\, pastries\n\n\n10:00\nWelcoming Remarks (Zrinka Stahuljak\, Director CMRS-CEGS) \n\n\n10:15\nPaper 1: Lost in Translation: Early Modern Jesuits and the Creed (Emanuele Colombo\, Boston College)\n\n\n10:45\nPaper 2: Mistranslating Indigenous America in the ‘Age of Reason’: Epistemological Hybridity and Colonial Violence (Diego Pirillo\, University of California\, Berkeley)\n\n\n11:15\nPaper 3: Oikonomia Understood and Misunderstood: The Latin and English Reception of Byzantine Chemical Terminology (Alexandre M. Roberts\, University of Southern California)\n\n\n11:45\nBreak\n\n\n12:00\nDiscussion 1: (Paper 1\, 2\, 3) – Chaired by Matthew Acton (KU Leuven & University of Rome ‘Tor Vergata’)\n\n\n12:45\nLunch Break (on Royce 306 loggia)\n\n\n2:00\nPaper 4: Rebellious\, but Effective Medieval Translations into Arabic (Cecilia Martini Bonadeo\, University of Padua)\n\n\n2:30\nPaper 5: Hang Time: Gambling on the Future in Late Medieval Italy (Karla Mallette\, University of Michigan)\n\n\n3:00\nPaper 6: Communicating in Manuscript\, Miscommunicating in Print: The Siege of Curzola (1571) and Its Media Aftermath (Ivan Lupić\, University of Rijeka)\n\n\n3:30\nBreak\n\n\n3:45\nDiscussion 2: (Paper 4\, 5\, 6) – Chaired by Sarah Marie Leitenberger (University of Pennsylvania)\n\n\n4:30\nClosing Remarks\n\n\n5:00\nReception
URL:https://humanities.ucla.edu/event/lost-in-transfer-misunderstanding-miscommunication-and-the-production-of-knowledge-in-the-late-medieval-and-early-modern-mediterranean/
LOCATION:Royce 314\, 10745 Dickson Ct\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Co-Sponsorship,Humanities
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DTSTART;TZID=America/Los_Angeles:20250203T170000
DTEND;TZID=America/Los_Angeles:20250203T180000
DTSTAMP:20250203T105319Z
CREATED:20250114T083253Z
LAST-MODIFIED:20250203T105319Z
UID:2189894-1738602000-1738605600@humanities.ucla.edu
SUMMARY:Richard & Mary Rouse History of the Book Lecture by Kristina Richardson
DESCRIPTION:“Between Two Worlds: The Roma and Early Global Print Cultures” \nGuest Speaker: Kristina Richardson (University of Virginia) \nRichardson will show that Roma and other traveling people not only utilized block printing between 800 and 1450 in North Africa and West Asia but also introduced print technology in their new homes when they migrated to Central Europe in the 1410s. Traveling people were the links bridging the early print cultures of North Africa\, West Asia\, and Central Europe. \nKristina Richardson is the John L. Nau Professor of History at the University of Virginia. Her research focuses on premodern non-elite Arab history\, particularly the history of people with disabilities\, users of sign language\, Romani groups (ghurabā’)\, craftspeople\, and enslaved laborers and entertainers. Her current book project is Black Basra: Race\, Labor\, and Piety in Early Islamic History. \nThe History of the Book Lecture series\, established in 1993 through the efforts of Richard and Mary Rouse\, provides an annual venue for internationally recognized authorities on medieval and Renaissance books to present their expertise at UCLA. The lecture’s focus alternates each year between medieval manuscripts and Renaissance books. The topics explored in past lectures were book and manuscript illustration\, the development of printing\, early book printers and sellers\, the book trade\, and medieval and Renaissance book and manuscript collections. \nRegister to attend in Royce 314 \nRegister to attend via ZOOM \nMore information about past Richard and Mary Rouse History of the Book lectures can be found here.
URL:https://humanities.ucla.edu/event/richard-mary-rouse-history-of-the-book-lecture-by-kristina-richardson/
LOCATION:Royce 314\, 10745 Dickson Ct\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Humanities,Lecture
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