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DTSTART;TZID=America/Los_Angeles:20251206T090000
DTEND;TZID=America/Los_Angeles:20251206T161500
DTSTAMP:20250926T200935Z
CREATED:20250919T175616Z
LAST-MODIFIED:20250926T200935Z
UID:2193090-1765011600-1765037700@humanities.ucla.edu
SUMMARY:Messenia to Mesopotamia: New Directions in the Art and Archaeology of the Second Millennium BCE Symposium
DESCRIPTION:Messenia to Mesopotamia: New Directions in the Art and Archaeology of the Second Millennium BCE \nHosted by the\nUCLA SNF Center for the Study of Hellenic Culture\nin collaboration with\nThe J. Paul Getty Museum\nand held in conjunction with the exhibition\nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece \nSaturday\, December 6\, 2025\n9:00 A.M. – 4:15 P.M.\n314 Royce Hall\, UCLA Campus\nReception to follow \nRSVP Here \nSymposium Description:   TBD \nBios: \nEmily Catherine Egan is Assistant Professor of Ancient Eastern Mediterranean Art and Archaeology in the Department of Art History & Archaeology at the University of Maryland. She holds a dual B.A. in Classics and Old World Archaeology and Art from Brown University\, an M.Phil. in Archaeology from the University of Cambridge\, and an M.A. and Ph.D. in Classics from the University of Cincinnati. Her research focuses on artistic practice in the Bronze Age Aegean\, and particularly on the production\, consumption\, and iconography of Mycenaean painted surface decoration. She has undertaken archaeological fieldwork in Italy\, Turkey\, Jordan\, Armenia\, Cyprus\, and most recently in Greece\, where she is engaged in the study of wall and floor paintings from the Palace of Nestor at Pylos\, and Petsas House\, Mycenae. \nJoanne Murphy is a professor of Ancient Mediterranean Studies and Archaeology at the University of North Carolina Greensboro\, where she has worked since 2008 and serves as Department Head. She is also the current Director of the Irish Institute of Hellenic Studies\, President of The American Friends of the Irish Institute of Hellenic Studies (a 501c non-profit)\, and an Academic Trustee at the Archaeological Institute of America. She received her BA and first MA from University College Dublin\, Ireland\, and an MA and PhD from University of Cincinnati. Her research focuses primarily on religion and death and how they connect with identity\, community\, and political economies. As well as giving tens of lectures both nationally and internationally\, she has published over 30 papers and five edited volumes on these and related topics and has one monograph in press and two other volumes underway. She has led two major research projects: one\, a legacy study\, on the tombs around Pylos in southwestern Greece and one\, an archaeological survey on the Greek island of Kea. She has received awards for her research and for initiatives at UNCG and non-profits from various foundations including INSTAP\, the Mellon Foundation\, the Onassis Foundation\, the NEH\, and the Loeb Foundation.  She has also been recognized for her teaching and was awarded the Archaeological Institute of America’s Excellence in Undergraduate Teaching Award and UNCG College of Arts and Sciences Teaching Excellence Award. She has a great love of sharing the past and has led tours in Greece\, Ireland\, France\, England\, Italy\, and Turkey\, as well as running an annual archaeological field school in Greece. \nEfthymia Tsiolaki is a Postdoctoral Fellow in the Department of Classics at the University of Toronto. She is an archaeologist specializing in the Bronze Age Aegean\, with a focus on the social and economic organization of the Greek mainland. Her current research project explores the long-term history of settlement and land use in Messenia from the bottom-up\, integrating surface survey and excavation data with GIS-based analysis to highlight the dynamic character of peripheral communities before and during the rise of the Mycenaean palace at Pylos (ca. 3000 – 1100 BC). She also studies the technology and function of ground stone tools across several archaeological projects\, examining their roles in domestic and craft activities. \nThis event is organized by Professor David Schneller (UCLA) and Dr. Claire Lyons (Getty) and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nCo-Sponsored by:\nUCLA College Division of Humanities\nPeter J. and Caroline B. Caloyeras Endowment for the Arts\nGeorge P. Kolovos Family Centennial Term Chair in Hellenic Studies\nGefyra\nUCLA Global Antiquity\nThe Joan Palevsky Chair of Classics at UCLA\nUCLA Department of Art History\nUCLA Department of Classics\nUCLA Department of Near Eastern Languages & Cultures\nUCLA David C. Copley Center for the Study of Costume Design \nDon’t miss our other upcoming programs in collaboration with the J. Paul Getty Museum here: \nSaturday\, November 22\, 2025Pylos and Minoan Crete \nSaturday\, December 6\, 2025\nMessenia to Mesopotamia: New Directions in the Art and Archaeology of the Second Millennium BCE Symposium \n 
URL:https://humanities.ucla.edu/event/messenia-to-mesopotamia-new-directions-in-the-art-and-archaeology-of-the-second-millennium-bce-symposium/
LOCATION:Royce Hall\, 314\, 314 Royce Hall\, 10745 Dickson Plaza\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Classics,Cultural Heritage,Gefyra,Humanities
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20251115T140000
DTEND;TZID=America/Los_Angeles:20251115T160000
DTSTAMP:20250926T202136Z
CREATED:20250919T175608Z
LAST-MODIFIED:20250926T202136Z
UID:2193086-1763215200-1763222400@humanities.ucla.edu
SUMMARY:Between the Minoans and the Mycenaeans: Craft Technologies in the Second Millennium BCE Aegean
DESCRIPTION:Between the Minoans and the Mycenaeans: Craft Technologies in the Second Millennium BCE Aegean \nLecture by Nikolas Papadimitriou (Director\, Paul and Alexandra Canellopoulos Museum\, Athens) and Eleni Konstantinidi-Syvridi (Curator\, Department of Prehistoric\, Egyptian\, Cypriot and Near Eastern Collections of Antiquities\, at the Hellenic National Archaeological Museum\, Athens) \nDemonstration by Akis Goumas (contemporary jewelry maker and researcher of ancient crafting technologies) \nHosted by the\nUCLA SNF Center for the Study of Hellenic Culture \nin collaboration with\nThe J. Paul Getty Museum\nand held in conjunction with the exhibition\nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece \nSaturday\, November 15\, 2025\n2:00 P.M.\n314 Royce Hall\, UCLA Campus \nRSVP Here \nThe Kingdom of Pylos: Warrior-Princes of Mycenaean Greece exhibition at the Getty Villa brings together some of the most exquisite artistic creations of the second millennium BCE Aegean. Many of these objects were the products of cultural fusion and combined elements from different artistic traditions originating in Minoan Crete\, Mycenaean Greece\, and areas far beyond. This presentation will examine the highly demanding techniques goldsmiths and seal-engravers used to create many of the objects in this exhibition. Following the lecture\, Akis Goumas will demonstrate the main steps of the technical processes involved in Mycenaean gold-working (sheet metal\, wire\, granulation\, etc.) and Minoan seal-engraving (soft materials and hard stones). \n \nDemonstration by Akis Goumas \nThe artist and researcher of ancient technologies Akis Goumas will demonstrate the main steps of the technical processes involved in: \n– Mycenaean gold-working (sheet metal\, wire\, granulation etc.)\n– Minoan seal-engraving (soft materials and hard stones). \nThe demonstration is based on the results of studies conducted in the National Archaeological Museum of Athens\, the Herakleion Archaeological Museum\, other museums in Greece\, and the Coprus of Minoan and Mycenaean Seals at Heidelberg\, Germany\, which involved microscopic examination of artefacts\, archaeometric analyses and experimental reconstructions. \nThe studies have been conducted in collaboration with Dr Eleni Konstantinidi-Syvridi\, of the National Archaeological Museum of Athens\, and Dr Nikolas Papadimitirou\, of the Paul and Alexandra Canellopoulos Museum\, Athens. Participants will have the opportunity to discuss with Mr Goumas and try some of the tools and materials used in the experiments. \nBios:\nNikolas Papadimitriou is the Director of the Paul and Alexandra Canellopoulos Museum\, Athens\, Greece (www.camu.gr). He specializes in the Aegean Bronze Age\, with an emphasis on Mycenaean burial practices\, cultural interaction in the Mediterranean in the 2nd millennium BCE\, the prehistory of Athens and Attica\, and the study of craft technologies. Previously\, he worked as a Lecturer at the Institute of Classical Archaeology\, Heidelberg University\, Germany\, the Museum of Cycladic Art\, Athens and the Cyprus Department of Antiquities. Currently\, he is co-directing research projects at the archaeological sites of Marathon\, Thorikos (Attica) and Kato Samikon (Elis). He has a rich publication record and has received research fellowships from the Centers of Hellenic Studies at Princeton and Harvard (2011\, 2017). \nEleni Konstantinidi-Syvridi is Curator at the Department of Prehistoric\, Egyptian\, Cypriot and Near Eastern Collections of Antiquities at the National Archaeological Museum\, Athens (https://www.namuseum.gr/en/). She graduated from the University of Ioannina\, Greece\, and received her PhD at the University of Birmingham\, UK. Her research focuses on the Late Bronze Age Aegean and the Eastern Mediterranean\, with special interest in Mycenaean jewelry and dress. She has given seminars and lectures on the history and technology of Mycenaean jewelry in Greece and abroad and has written articles and book chapters on various Late Bronze Age issues. For the past decade\, she has been co-directing a multi-disciplinary project for the reconstruction of ancient gold-working techniques\, while she is currently studying the corpus of metal signet rings housed in the Mycenaean Collection of the National Archaeological Museum. \nAkis Goumas is a contemporary jewelry maker and researcher of ancient crafting technologies. After receiving a Diploma in Economics (1978)\, he was trained as a jeweler and silversmith. From 1982 to 1986 he studied gemology and seal engraving in Greece and Germany. Between 1990 and 2006 he was the head designer in the jewelry company ONAR. Since 2000\, he has been teaching creative jewelry at the Chalkis School of Art\, and since 2017 at the ANAMMA Jewelry School in Athens\, and the ALCHIMIA Contemporary Jewelry School in Florence. Since 2006\, he is member of an interdisciplinary group of researchers\, who study ancient gold-working and seal-engraving techniques. In 2021 he was a Visiting Artist at the Harvard Center for Hellenic Studies. Ιn 2023-24\, he was the holder of a Homo Faber fellowship\, established by Jaeger LeCoultre and Michelangelo Foundation for Creativity and Craftsmanship. In 2024-25 he participated in the organization of the exhibition “Art in Gold. Jewelry in Hellenistic Times” at the Benaki Museum\, Athens\, Greece. \nThis event is organized by Professor David Schneller (UCLA) and Dr. Claire Lyons (Getty) and is made possible thanks to the Stavros Niarchos Foundation (SNF). \nCo-Sponsored by: \nUCLA College\, Division of Humanities\nThe Peter J. and Caroline B. Caloyeras Endowment for the Arts\nThe George P. Kolovos Family Centennial Term Chair in Hellenic Studies\nGefyra\nUCLA Global Antiquity\nThe Joan Palevsky Chair of Classics at UCLA\nUCLA Department of Art History\nUCLA Department of Classics\nUCLA Department of Near Eastern Languages & Cultures\nUCLA David C. Copley Center for the Study of Costume Design \nDon’t miss our other upcoming programs in collaboration with the J. Paul Getty Museum here: \nSaturday\, November 22\, 2025Pylos and Minoan Crete \nSaturday\, December 6\, 2025\nMessenia to Mesopotamia: New Directions in the Art and Archaeology of the Second Millennium BCE Symposium
URL:https://humanities.ucla.edu/event/between-the-minoans-and-the-mycenaeans-craft-technologies-in-the-second-millennium-bce-aegean/
LOCATION:Royce Hall\, 314\, 314 Royce Hall\, 10745 Dickson Plaza\, Los Angeles\, CA\, 90095\, United States
CATEGORIES:Cultural Heritage,Gefyra,Hellenic,Heritage,History,Humanities,Lecture,Reception
ATTACH;FMTTYPE=image/jpeg:https://humanities.ucla.edu/wp-content/uploads/2025/09/Jewelry-Making-Banner-1-t1N31Y.jpg
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